From the Great Above the goddess opened her ear to the Great Below.
However, these are simply the tangible borderlands that she discusses. Her book is broken into two main sections. The semi-autobiographical first section deals with life on the borderlands, the challenges faced during this time in her life, and the challenges faced by all mestizos.
This first section is broken down into seven parts: While you read Borderlands, unless you are multi-lingual, you will find some frustration. This frustration comes from the language not being English, and not being Spanish, but an amalgamation of both.
The "Spanglish" language actually makes the book more powerful and real, without it, it would not be the book it is, and the book it is trying to be without it.
The book is written in a way that it becomes an extension of the author rather than just something the author has produced. It feels that way from the beginning and continues to the end. The traditional Aztec story goes: The eagle symbolizes the spirit as the sun, the father ; the serpent symbolizes the soul as the earth, the mother.
This brief history is given to better illustrate how the land was originally inhabited by people migrating, and has been taken over and rearranged several times over to get where it is today. The author goes into detail about the Mexican-American war: This was the beginning of the American creation of Mexican dependence on the U.
For many Mexicans, illegal crossing to the U. They will either cross into the U.
|When she was eleven, her family relocated to Hargill, Texas. While in Austin, she joined politically active cultural poets and radical dramatists such as Ricardo Sanchez, and Hedwig Gorski.|
|Gloria E. Anzaldúa Quotes (Author of Borderlands/La Frontera)||During this time period, immigration towards the US from Mexico was increasing.|
|During the s Gloria started writing, teaching, and traveling to workshops on Chicanas. Gloria Anzaldua won the following awards:|
|Borderlands/La Frontera: The New Mestiza - Wikipedia||She currently writes and teaches in northern California. In her poetry, fiction, essays, and autobiography, she writes eloquently of the indignities a Chicana lesbian feminist overcomes as she escapes the strictures of patriarchal Chicano traditions and confronts the injustices of dominant culture.|
|SATURDAY READING: Entering Into The Serpent by Gloria Anzaldúa – The Value of Sparrows||My blogs from college writing. In her first piece, "Entering into the Serpent", Anzaldua begins by unveiling an intense memory of being attacked by a serpent in her garden.|
Their crossing into the U. The illegal migration of women is especially dangerous, for they risk being abused and raped as well as deported.
They typically have no understanding of English; this lack of English language plus the fear of being deported leads to vulnerability, and the female migrants tend to be unable to get help, and reluctant to seek it.
She was the first one in her family in six generations to leave home; she took with her, however, many aspects of her home. She describes how women, in her culture and many others, are to serve and stay beneath the men in the culture. The men hold the power and the men make the rules.
In her culture and time, the only options for a woman were to become a nun, a prostitute, or a wife. There is now a fourth option, to become educated and autonomous; however, very few make up this category. The only safe woman is one who is stuck into a rigid culture sector.
The roles are said to keep women safe; however, they just seem to keep women stuck. She discusses how, being raised Catholic, she made the choice to be homosexual. She recognizes that in some people it is genetically inherent and understood.
She continues dealing with homophobic ideas, and the fear of being rejected. She goes on to say that, for some, their groups will conform to society's norms to be accepted and wanted in a culture. Those who go against the norms have a much harder time being a part of the group.
She brings these thoughts back to the borderlands, where one feels alienated from one's original culture and yet alien in the dominant culture Her going home is to accept her home for what it is, not just in the physical sense, but really believing in what is happening within her home or native culture.
It tried to bite her and only got her boot. It scared her, and from that day on she both sought snakes and shunned them. When she saw them she was fearful yet elated She goes on to describe the folk-Catholic heritage she has come from.
She describes the pagan ideas that link up with the Catholic religious stories. She describes how the goddesses were disfigured and pushed underground.
Again, the male dominance was cemented further into the culture through religious stories. This symbol unites the cultures of Mexico through a woman figure. The mother figure represents the Indian side of the culture and the father or male identities represent the Spanish side.
These arguments can be looked at further as the native Indians were simply people migrating from one land to another.Gloria Anzaldúa, the author of this book, is attempting to define the “New Mestiza” throughout its contents, and does so by examining herself, her land, and her language.
The dictionary definition of a mestiza is “a [woman] of mixed parentage, especially the offspring of a Spanish American. Gloria Evangelina Anzaldúa (September 26, – May 15, ) was an American scholar of Chicana cultural theory, feminist theory, and queer leslutinsduphoenix.com loosely based her best-known book, Borderlands/La Frontera: The New Mestiza, on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work.
Borderlands/La Frontera: The New Mestiza  is a semi-autobiographical work by Gloria E. Anzaldúa that includes prose and poems detailing the invisible "borders" that exist between Latinas/os and non-Latinas/os, men and women, heterosexuals and homosexuals, and other groups. "This book is dedicated a todos mexicanos on both sides of the border.
"Borderlands/La Frontera: The New Mestiza  is a semi-autobiographical work by Gloria E. Anzaldúa that includes prose and poems detailing the invisible "borders" that exist between Latinas/os and non-Latinas/os, men and women, heterosexuals and homosexuals, and other groups..
The term Borderlands, according to. SATURDAY READING: Entering Into The Serpent by Gloria Anzaldúa. from, or is an aspect of, earlier Mesoamerican fertility and Earth Goddesses.
The earliest is Coatlicue, or “Serpent Skirt.” She had a human skull or serpent for a head, a necklace of human hearts, a skirt of twisted serpents and taloned feet. Snake Woman had the. May 20, · In chapter three, “Entering into the Serpent,” Gloria Anzaldua claims that in their efforts to become “objective,’ Western culture made “objects” of things and people when it distanced itself from them thereby losing ‘touch’ with them” (Anzaldua 59).